Rebecca travels extensively around the country gathering images for painting, the West Country and her native East Anglia featuring highly.  The process of creating a painting has always been important to Rebecca and with each progression, the work has naturally evolved through a series of media.  Recently, encaustic used cold as a paste has become prevalent in her work.  She prefers a rustic approach, enabling her to build texture, sometimes scoring and filling in places, creating a rich, luminous and, in the artist's words 'chewy' image which feasts the eye, capturing the intrinsic character and beauty of the English countryside and its changing seasons.   The different moods of the day, all bathed in their own particular light, draw the viewer irresistibly into the painting.

Says the artist; "My art has always been rooted in nature. The innate familiarity to me of the landscapes in which I was brought up, remain the one thing from which all else springs. I love the early mornings, when the light casts the longest shadows and when the peace helps me reflect on what is important for me. I want my work to give back to the viewer, some of that tranquillity and quiet reflection."